Daniel Barenboim

Daniel Barenboim (born November 15, 1942), Israeli Argentine-born pianist and conductor. He has served as music director of several major symphonic and operatic orchestras and made numerous recordings. Original, vintage, pen and ink, "on-the-spot" illustration by George 'Georges' Krishizki. The hand drawn illustration has been signed by Barenboim and additionally signed, dated and titled by Krishizki: "Georges / 1979 / Daniel Barenboim / Playing Concerto No. 1 for Piano and Orchestra, D minor, Opus 15 by J. Brahms."

Currently, he is general music director of La Scala in Milan, the Berlin State Opera, and the Staatskapelle Berlin; he previously served as Music Director of the Chicago Symphony Orchestra and the Orchestre de Paris. Barenboim is also known for his work with the West-Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories.

Barenboim has received many awards and prizes, including an honorary Knight Commander of the Order of the British Empire, France's Légion d'honneur both as a Commander and Grand Officer, the German Großes Bundesverdienstkreuz and Willy Brandt Award, and, together with the Palestinian-American scholar Edward Said, Spain's Prince of Asturias Concord Award. He has won seven Grammy awards for his work and discography.

George 'Georges' Krishizki (March 22, 1924 – December 20, 2001), Russian-Polish-American illustrator who came to the U.S. in 1949. While he earned acclaim for his renderings of the city’s architectural landmarks, it was his on-the-spot drawings of musicians in performance that attracted an especially appreciative audience. In a 1973 article published in conjunction with two simultaneous exhibitions, Georges explained the genesis of his long-running engagement with the concert hall: “I’ve always enjoyed going to concerts, and one day I decided it would be fun to combine my interests in music and art and make sketches of musicians during performances.”  Indeed, the most remarkable feature of Georges’ oeuvre, apart from the astounding range of performers who gladly expressed their approval and appreciation by signing, is the skill with which the drawings are accomplished.

This original pen and ink illustration, measuring approximately 9 x 12, is in fine condition with some light overall toning. Its Verso is blank.