Vladimir Viardo

Vladimir Viardo, (born 1949 at Krasnia Polana in the Caucasus, USSR), Russian pianist. Original, vintage, pen and ink, "on-the-spot" illustration by George 'Georges' Krishizki. The hand drawn illustration has been signed by Vickers and additionally signed and dated and titled by Krishizki: "Georges / 1973 / Vladimir Viardo playing Prokofiev's 'Fleeting Glances' Sonata No 5, Opus 38 (1923)."

Viardo studied with Irina Naumova at the Gnessin State Musical College and later studied with Lev Naumov at the Moscow Tchaikovsky Conservatory where he remained as a student for six years. Naumov would describe him as "my number one pupil". During this time, he was tenured as a soloist by Moscow Philharmonia (the primary music organization of the USSR). After obtaining a doctorate, he was immediately engaged as assistant professor with Naumov at the Conservatory. At 21 Viardo took the third prize and the Prix du Prince Rainier at the Marguerite Long-Jacques Thibaud Competition, and in 1973 first prize at the Van Cliburn International Competition. He had already launched an impressive global career when his travel visa was mysteriously revoked. For nearly thirteen years, Viardo was a virtual prisoner of the Iron Curtain. During this closed period, he developed new horizons in his artistic achievements, vastly enlarging his repertoire, eventually including 37 concertos. Only when Mikhail Gorbachev rose to power in the Soviet Union was freedom to travel restored, and in 1987 Viardo was permitted to accept engagements in Germany and in the United States.

George 'Georges' Krishizki (March 22, 1924 – December 20, 2001), Russian-Polish-American illustrator who came to the U.S. in 1949. While he earned acclaim for his renderings of the city’s architectural landmarks, it was his on-the-spot drawings of musicians in performance that attracted an especially appreciative audience. In a 1973 article published in conjunction with two simultaneous exhibitions, Georges explained the genesis of his long-running engagement with the concert hall: “I’ve always enjoyed going to concerts, and one day I decided it would be fun to combine my interests in music and art and make sketches of musicians during performances.”  Indeed, the most remarkable feature of Georges’ oeuvre, apart from the astounding range of performers who gladly expressed their approval and appreciation by signing, is the skill with which the drawings are accomplished.

This original pen and ink illustration, measuring approximately 9 x 12, on heavy-weight sketch paper, is in fine condition with some light overall toning. Its verso is blank and clean.