Stanisław Skrowaczewski

Stanisław Skrowaczewski (born October 3, 1923), internationally known classical conductor and composer. Original, vintage, pen and ink, "on-the-spot" illustration by George 'Georges' Krishizki. The hand drawn illustration has been signed by Skrowaczewski and additionally signed, dated and titled by Krishizki: "Georges / 1987 / Stanisław Skrowaczewski conducting Hallé Orchestra for Manchester, England / Carnegie Hall / March 8, 1987."

After World War II, Skrowaczewski graduated from the Academy of Music in Kraków (in the composition class of Roman Palester and conducting class of Walerian Bierdiajew) and soon, in 1946, became the music director of the Wrocław Philharmonic, then the Katowice Philharmonic, the Kraków Philharmonic and finally the Warsaw National Orchestra. He studied composition with Nadia Boulanger in Paris. In 1956 he won the Santa Cecilia Competition for Conductors.

At the invitation of George Szell, Skrowaczewski conducted the Cleveland Orchestra. In 1960 he was appointed music director of the Minneapolis Symphony Orchestra (later renamed the Minnesota Orchestra under his tenure in 1968), a position he held until 1979 when he became conductor laureate. In 1981 the American Composers' Forum commissioned the Clarinet Concerto, which Skrowaczewski wrote for Minnesota Orchestra principal clarinetist Joe Longo, who premiered it in 1981.

Between 1983 and 1992 he was principal conductor of the Hallé Orchestra in Manchester.

Between 1995 and 1997, Skrowaczewski served as artistic advisor to the Milwaukee Symphony Orchestra. In 1988, he was composer-in-residence for the Philadelphia Orchestra's summer season at Saratoga. He has guest-conducted that orchestra, and many others, all over the world.

George 'Georges' Krishizki (March 22, 1924 – December 20, 2001), Russian-Polish-American illustrator who came to the U.S. in 1949. While he earned acclaim for his renderings of the city’s architectural landmarks, it was his on-the-spot drawings of musicians in performance that attracted an especially appreciative audience. In a 1973 article published in conjunction with two simultaneous exhibitions, Georges explained the genesis of his long-running engagement with the concert hall: “I’ve always enjoyed going to concerts, and one day I decided it would be fun to combine my interests in music and art and make sketches of musicians during performances.”  Indeed, the most remarkable feature of Georges’ oeuvre, apart from the astounding range of performers who gladly expressed their approval and appreciation by signing, is the skill with which the drawings are accomplished.

This original pen and ink illustration, measuring approximately 9 x 12, on heavy-weight sketch paper, is in fine condition with some light overall toning. Its verso is blank and clean.