Jan DeGaetani

Jan (Janice) DeGaetani (July 10, 1933 – September 15, 1989), American mezzo-soprano known for her performances of contemporary classical vocal compositions. Original, vintage, pen and ink, "on-the-spot" illustration by George 'Georges' Krishizki. The hand drawn illustration has been signed by DeGaetani and additionally signed, dated and titled by Krishizki: "Georges / 1984 / Jan DeGaetani singing 'The Circus Band' by Charles Ives / Carnegie Hall / December 4, 1984."

Educated at The Juilliard School with Sergius Kagen, DeGaetani was best known for her wide range, precise pitch, clear tone, and command of extended techniques that made her voice perfectly suited to the demanding style of modern and avant-garde vocal composition. Her recording of Schoenberg's song cycle Pierrot lunaire is one of the classic recordings of the piece. (Due to its use of atonality, wide range, and virtuoso techniques such as sprechstimme, all while requiring a lyrical sensibility, it is exceptionally difficult to sing.) Her collaboration with George Crumb was also a fruitful one; she premiered his song cycle Ancient Voices of Children, and many of his other works were written for her. Uncommonly for a singer of her caliber (though her voice was not as powerful as most), DeGaetani rarely appeared in opera, instead concentrating on solo recital work in the art song literature.

George 'Georges' Krishizki (March 22, 1924 – December 20, 2001), Russian-Polish-American illustrator who came to the U.S. in 1949. While he earned acclaim for his renderings of the city’s architectural landmarks, it was his on-the-spot drawings of musicians in performance that attracted an especially appreciative audience. In a 1973 article published in conjunction with two simultaneous exhibitions, Georges explained the genesis of his long-running engagement with the concert hall: “I’ve always enjoyed going to concerts, and one day I decided it would be fun to combine my interests in music and art and make sketches of musicians during performances.”  Indeed, the most remarkable feature of Georges’ oeuvre, apart from the astounding range of performers who gladly expressed their approval and appreciation by signing, is the skill with which the drawings are accomplished.

This original pen and ink illustration, measuring approximately 9 x 12, on heavy-weight sketch paper, is in fine condition with some light overall toning. Its verso is blank and clean.