Jaime Laredo

Jaime Laredo (born June 7, 1941 in Cochabamba, Bolivia), violinist and conductor. Original, vintage, pen and ink, "on-the-spot" illustration by George 'Georges' Krishizki. The hand drawn illustration has been signed by Laredo and additionally signed, dated and titled by Krishizki: "Georges / 1974 / Jaime Laredo playing Concerto for Violin and Orchestra, D major, Op. 35 by P.I. Tchaikovsky."

Currently the conductor and Music Director of the Vermont Symphony Orchestra, he began his musical career when he was five years old. In 1948 he came to North America and took lessons from Antonio DeGrass. He also studied with Frank Houser before moving to Cleveland, Ohio, to study under Josef Gingold in 1953. He studied with Ivan Galamian at the Curtis Institute of Music until his graduation. From 1960 to 1974 he was married to the pianist Ruth Laredo. Laredo is currently a professor at the renowned Indiana University Jacobs School of Music. He served as artistic advisor for the Fort Wayne Philharmonic Orchestra and guest conducted the orchestra on April 18, 2009, in a program featuring his wife, the cellist Sharon Robinson. He was scheduled to again conduct the orchestra for two programs during the 2009-10 season. Laredo and Robinson were also featured soloists in a special concert conducted by Andrew Constantine, who became the Philharmonic's music director in July 2009.

George 'Georges' Krishizki (March 22, 1924 – December 20, 2001), Russian-Polish-American illustrator who came to the U.S. in 1949. While he earned acclaim for his renderings of the city’s architectural landmarks, it was his on-the-spot drawings of musicians in performance that attracted an especially appreciative audience. In a 1973 article published in conjunction with two simultaneous exhibitions, Georges explained the genesis of his long-running engagement with the concert hall: “I’ve always enjoyed going to concerts, and one day I decided it would be fun to combine my interests in music and art and make sketches of musicians during performances.”  Indeed, the most remarkable feature of Georges’ oeuvre, apart from the astounding range of performers who gladly expressed their approval and appreciation by signing, is the skill with which the drawings are accomplished.

This original pen and ink illustration, measuring approximately 9 x 12, on heavy-weight sketch paper, is in fine condition with some light overall toning. Its verso is blank and clean.